This is a compilation of pieces developed for the Signal to Noise Loops Project. It is a series of Human-Machine Collaborations made possible through bespoke cybernetic musical systems that unite human performance and composition with techniques and technologies from artificial intelligence, machine learning, and the internet of things.
The album art incorporates an illustration from Athanasius Kircher's 1650 work, MVSVRGIA VUNIVERSALIS sive ARS MAGNA CONSONI ET DISSONI. The illustration shows the automated hydraulic organ at Palazzo del Quirinale in Rome. The organ was built in 1598 and has been restored and expanded multiple times since then. It is still in operation today.
The wider project explores a cybernetic approach to the use of the internet of things, machine learning & artificial intelligence in the design of generative music systems that allows human and machine musicians to collaborate as equals. It’s roughly an hour of music and spans from dark ambient and industrial glitch to soothing soundscape and intricately detailed clockwork acoustics.
61years explore the concept of musical expression and creativity in programmable machines.
Faint First Noise is an excerpt from the first-ever composition made for the project.
Soma is an investigation into the surfacing of dynamic an organic sounding timbal and textural transformations from highly determinate harmonic structures.
Dublin City Noise Loops and Signal to Noise Loops i++ were created with early iterations of the generative music system at the heart of this project.
This system, informed by principles from the fields of IoT, Sonification, Generative Music, AI/ML and Cybernetics, is designed for composition and live performance.
It uses IoT data from a series of sensors around Dublin to generate music and control the parameters of musical performances. The system reads traffic flow, noise levels, pollution levels, and weather and these in turn determine the musical choices it makes while improvising alongside a human performer or composer.
Two of the 4 new tracks Breathing Space and A Quiet Year were created with an updated version of the system that incorporated machine learning techniques for music generation. These 2 new pieces are audiovisual works that have been installed or performed for several international festivals or concerts listed below.
You can learn more about the system in the February 2023 issue of Leonardo.
Whispering Signals was composed using machine learning techniques similar to those employed on 30 Epoch Opus.
Loopscapes of Signal and Noise is the final track composed for the project and returns to an exploration of signal and noise at the timbral and textural levels with musical materials produced using generative AI techniques.
Missing from this collection are Signal to Noise Loops i2+, and Signal to Noise Loops 3++.
These were performed live in Dublin for the Computer Simulated Musical Creativity Conference and in Derry for the ISSTA Festival in 2018. No recordings exist of these performances.
Pieces from this album have been performed or installed for the following events:
Signal to Noise Loops v5: Breathing Space @ Earth Rising Eco Art Festival , Irish Museum of Modern Art:IMMA, 21-23 October, 2022.
Signal to Noise Loops v4 @ The International Conference on Auditory Display 2022.
Signal to Noise Loops v4 @ S3 of the Video Sound Archive, February 2022.
Signal to Noise Loops v4 @ Culture Night Dublin, September 2021.
Signal to Noise Loops v4 @ Audio Mostly, Trento, Italy, September 2021.
Signal to Noise Loops v4 @ The International Computer Music Conference, Santiago, Chile, July 2021.
Signal to Noise Loops v4 @ The New York City Electroacoustic Music Festival 2021, New York, July 2021.
Signal to Noise Loops 3++ @ ISSTA 2018, Derry, September 2018.
Signal to Noise Loops i2+: Noise Water Dirt @ CSMC 2018, Dublin, August 2018.
Signal to Noise Loops i++ Live @ xCoAx 2018, Madrid.
Noise Loops for Laptop, Improvised Electric Guitar and Dublin City Noise Level Data @ Sonic Dreams 2017, Sonic Arts Waterford, September 30th 2017.
released July 20, 2023
Composed, Performed & Produced by Stephen Roddy.
Recorded live in Concert between 2016 and 2019.
Additional recording and composition carried out at Lava Wall Studios between 2020 and 2023.
This is a very well-put-together collection of anachronistic melodic pieces interspersed throughout some truly invigorating black metal. Masterful composition with excellent playing. Strong recommend. Stephen Roddy
Hauntingly beautiful and noisy ambient works with layers of atmospheric synths. Mixes electronic soundworlds with more traditional reference points to create some genuinely unique moments. Stephen Roddy
This 2023 compilation from Fiadh production is an introduction to a range of exciting music running in scope from the black metal of Uamh to the beautiful drone of Hellstorm Of Flaming Nothingness. Stephen Roddy